what
Drawing inspiration from Kaija Saariaho’s haunting opera, onlythesoundremains serves as your compass through the rich landscapes of 20th and 21st century classical music. We blend journalistic instinct with thoughtful prose, crafting pieces that resonate with inquisitive minds. Our editorial independence ensures unfettered exploration and balanced perspective. Every note we write honors two commitments: your curiosity and uncompromising quality.
Welcome to onlythesoundremains.
who
Wynold Verweij brings journalistic expertise to his editorial role, previously as a staff reporter of a Dutch newspaper with assignments in both New York and Brussels.
Following ventures in business and consultancy, he pursued academic interests in philosophy and music history at KU Leuven. His passion for classical music drove him to explore innovative melodic structures, intricate orchestrations, and thought-provoking aesthetic approaches.